Librarian – Never Been To Basinstoke (CD-R)

 Listening to a lot of noise, experimental music and various kinds of assorted weirdness, can be a bit tedious at times. Once in awhile I need a break, you know what I`m mean.  And what a good break this is. Librarian operated from 1988 to 1992. It was a four piece band comprised of Mark Ritchie (Hiroshima Yeah!)  on vocals, Stephen boyd (guitar, harmonica, piano, recorder), David Tough (bass), Scott Sneddon (drums) and Gary Curran (drums). Librarian was an indie rock outfit with a low-fi pop (and I mean in a good way) sensibility. There`s fifteen songs on this here CD. I like them all. My favorite track is `the withering`. It recalls The Jesus And Mary Chain circa Psychocandy (if they could rock). Mark told me that this sounds shitty at times. I wouldn`t say that. It sounds low-fi and homemade at the same time (which is a human quality, it`s not perfect, not cold and digital dammit!).  I like this even more after my first six pack. But then again everything looks \ sounds better after my first six pack. If you send Mark a polite request he might send you a copy. Personally, I recommend sending him a trade (maybe he will review it in Hiroshima Yeah!). Contact:

 Mark Rithchie, 

94 Main Sreet, 

Forth, 

Lanarkshire,

ML11 8AB, 

UK.                           

Hermit – pain machine (CD-R)

This is a long forgotten collectors item. It was released in 1998 and it had a limited edition of 50 copies. Now why am I mentioning this? It`s simple I really like Eric Boros solo noise project (Hermit). It`s not your typical in your face, harsh noise, usually done with distortion pedals. It`s more like `constructed `noise a little bit like Napalmed if you will. There`s one 13.10 minutes long single track on this here CD-R. It starts off with some type of ambient noise, then slowly mutates into rhythmic metal banging with lo-fi frequencies then it morphs into noisier dirges (it sounds like it was recorded in a desolate factory \ warehouse) . That was the last Hermit recording I bough. You can find all his tapes at  www.archives.org (, ith the exception of this album. It`s a shame because I feel that is his best work. It`s a damn shame Hermit folded. I wonder where Eric Boros is today. 

Here's some Hermit links:

http://freemusicarchive.org/music/Hermit/Vomit_Can_Be_Found_In_Jars/

http://freemusicarchive.org/music/Hermit/Logic_Bomb

http://freemusicarchive.org/music/Hermit/Ashes_Of_An_Ancient_Civilization

              

Tales from Tom the drunk hustler part 8

Tammy

The atmosphere`s different at Pizza Plaza

Chez Margot was more festive

There`s people dancing, a jukebox and a pool table

At Pizza Plaza there`s darts, video pokers

And also a pool table

I don`t know why

But Pat, Chris and myself

We don`t sit together at Pizza Plaza

Pat plays darts

Chris hits the poker machines

And loses half of his paycheck

While I`m still hustling for beer

I always split my wins because they`re my friends

I`m not selfish

Since I don`t have much of a `family`

No brothers and sisters

An only child

To me

Well

My friends are like

The brothers and sisters

I never had

My family life is pretty much

Non existent

Friendship

Is something I highly value

You don`t choose your family

But you can definitely pick your friends

Indeed

But throughout the years I`ve discovered

That being overly generous

With your friends is not the best idea

Then they take you for granted

As if

You`re obliged to be generous

If you don`t wanna pass for a

Fucking cheapskate

I hate myself for being so stupid and naïve

But then again

My heart is bigger than my judgment

Their loss

Not mine

You never know how much

You have it good

Until you lose it

True

Anyways

Back to our story

I`m sitting alone drinking

I just won my last pitcher of beer

And nobody wants to play me

So I`m chilling

I light up a smoke

Then I notice

Someone`s starring at me

But where ?

Oh yeah the table near the entrance

A small brunette

Sitting all alone

God I love brunettes

I never was into blondes

Which means

No Samantha Strong

No Pamela Anderson

And

Certainly no Samanta Fox

Tera Patrick original version indeed

 You don`t know what I`m talking about?

Well don`t just stand there

Google it

Holy shit

She`s still looking at me

I gotta do something

I get up

Walk near her table

Hey girl I was wondering…

Yes

Well…

Yes

Wanna shoot some pool ?

Maybe we could play for a  … beer

She looks at me and starts to laugh

What`s so funny ?

Hey boy I`ve seen you play

You`ve hustled

Lots of guys here

But I like to watch you play

You`re pretty good

Well thanks

Can I join you for a drink ?

Sure

Have a seat

I`m Tom

Tammy

Pleased to meet you

So what are you doing all alone I might ask

I`m waiting for someone

Your boyfriend perhaps

No the local pusher

You selling or buying ?

I`m buying

Cool

Wanna buy something Tom ?

No, maybe next time

I gotta take a leak

I won`t be long

I`m pissing and I`m thinking

What the fuck is she buying

Maybe she`s trying to score some smack

Damned I`m not into chemicals  

I better leave before I get into trouble

Better to be safe than sorry

I come back

She gets up ready to leave

Wanna come to my place Tom ?

Well you have anything to drink there ?

No I don`t

I got an idea

Why don`t you come to my place

I got half of a bottle of rye left

We could have a good drink I say

Naw, I don`t go to guys place

I can get the rye

Then go back to your apartment

What do you say Tammy ?

Sure thing hon

She gives me her address

I take a cab because it`s faster

Pay the driver

Wait for me dude I say

I pick up the rye

Enter the same cab

2150 Jarry east please

we arrive and I pay him for the second time

this is a big apartment complex

let me check the paper she gave me

Eleventh floor, suite 1101

I take the elevator and away we go

There`s no doorbell might as well knock

Kknock knock knock

Who`s there she asks

You friendly neighborhood hustler I grin

C`mon in big boy

She lives in a small one room apartment

There`s this small kichen area

Next to her bed

And I`m thinking

I won`t need to walk a mile

When we get it on

Like Donkey Kong

Indeed

We sit at her kitchen table

A small table

It`s cluttered with lotsa junk

A warm nearly empty milk bottle

Half eaten toasts

An ashtray full of old smokes

Some dried singles cheese slices

The perfect table for

A junkie or an alcoholic or both I`m thinking

She pulls out a small plastic bag

Puts some white powder on the table

Takes a small plastic straw

And sniffles everything immediately

You want some Tom ?

Well, what is it ?

Coke you dumbass

She snarls angrily

No thanks I`m trying to cut down

Maybe later on

More for me then

Sure thing good looking

And I`m thinking

I`m lying  through my teeth

I never did chemical drugs

And I never will

Another sweet lie just to get laid

I hope I get laid though

And if  I don`t  

Might as well have a cheap feel

And get wasted

Just like Elmore James would

Can I offer you a drink girl ?

Sure pour me some

How much ?

Half a glass she says

I pour myself a full glass

Take a swig

Holly fucking molly!!!

Now I remember

I hate fucking rye

It tastes like leftover dogshit

Tammy

Yes

You have any pepsi or juice

I can mix with me rye ?

Naw I don`t have anything left

Except this milk

Well, it`s okay

I gotta pee Tom

Go ahead girl

As soon as she`s gone

I empty my glass in the sink

Fill it up with water

And put an inch of shit, er, I mean rye

Take another swig

At least it`s drinkable now

We drink a little

Is that a card deck Tammy ?

Yep wanna play a game Tom ?

Sure think

Strip poker big guy ?

What about strip black jack?

Okay Tom

Here, you be the dealer hon

Sure thing

We drink some more

Play some more

Soon we`re both stark naked

And I`m sitting down with half a boner

Christ and it`s showing too

Well big boy

I can see you`re half way there

Se says with a smile on her face

My face is red

Don`t be shy Tom

Let`s go to bed

That`s my cue I`m thinking

We`re laying in bed

Kissing and fondling each other

She starts to stroke my cock

I`m slowly losing my erection

You gotta understand

I drank some pitchers of beers

I finished the rye

And it`s taking it`s toll

I`m pretty gone and drunk right now

Sounds like the Dead Kennedys song

`Too drunk to fuck`

Hell yeah

Girl I can`t get it up

I`m too drunk

Maybe if we ourselves a little nap

Later on we can….

Bang !

I`m out cold

Probably unconscious too

Then…

A little later

I`m slowly waking up

Something

Or

Someone

Is sucking my dick

And man, I mean sucking it

Strongly

It`s better than the time

I tried it with a vacuum cleaner

And now

Now my boner is back

I slowly open my eyes

I`m not dreaming

Tammy`s blowing me

Man this is incredible

I move my legs just a little

I can see I got your attention big boy

You got my full attention baby

Girl maybe you should stop

If you keep at it

I`ll come pretty soon  

You know

Well that`s what I want

What ?

Sure you come soon

Then we have sex

It takes you a longer time to come again

More fun for me Tom

Just in case

You`re a premature ejaculator you know

Well, I , errrr….

I`m speechless

I scream and come loudly at the same time

Hope I don`t wake up the neighbors

She swallows everything

And proceeds to blow me some more

I`m laying on my back

Speechless

In a trance

Feels almost like a religious experience

I`m a born again comer

Now she`s stroking my dick

Plays with it

Toys with it

Then she sits on it

She goes up and down

Up and down

Up and down

It`s getting faster

Even faster

Feels like

I`m fucking a mexicain jumping bean

She`s relentless

Tammy you gotta slow down

I`m whispering, nearly  exhausted

I`m gonna come

SHUT UP AND FUCK ME!!!

She screams

Her screaming

Excites me even more

I`m moving too

Up and down

Up and down

Faster and faster

I`m the speedy Gonzales of sex

Andele! Andele!

Arriba! Arriba!

Epa!Epa!

I`m trembling

Shaking

I can feel her coming

Then I come too

We`re laying down

Sweaty and exhausted

But happy

It was good

I light up two cigarettes

Give her one

We enjoy our post sex smokes

Feels good to be alive

We`re laying there

Smiling and happy

Total bliss I`m thinking

I just wish

This moment would never end

She looks at me, smiles again

Slaps my dick

Gets up

And makes coffee

Want some milk Tom?

Not the warm milk I hope

No thanks

I prefer dark coffee

I love the total caffeine taste

Here`s your cup

Thankss beautiful

We finish our coffees

Have another smoke

I notice it`s getting late

And I have to go home

Tammy I gotta leave babe

It`s alright

Think we could meet again

Sure thing

Come to my place next Saturday, same time

I`ll be waiting Tom

Great

See you next week honey

We kiss and I leave

That week

Felt like a year

I was so horny

Just thinking about our next fuck session

I couldn`t concentrate at all

I didn`t masturbate all week

Even though

I had a perpetual hard-on

I kept thinking about it

And thinking about it

Now it`s Saturday evening

About time too

I go back to her place

Knock at the door

Who is it ?

It`s Tom your friendly neighbourhood hustler

Who are you ?

It`s me, it`s Tom baby

I don`t know any Tom she replies

What?

You`re joking Tammy aren`t ypu ?

My name`s Ann she says

Where`s Tammy?

She got evicted three days ago

She didn`t pay her rent the last six months

She got thrown out

You know where she is ?

I have no idea

You can ask the caretaker

He`s lives on the main floor

Thanks for the information Ann

You`re welcome

I meet the caretaker

A small husky guy named Bill

I`m sorry Tom

We evicted Tammy last Tuesday

She took all her possessions

And left with her brother

You know where he lives?

No

You know his name?

No

Thanks anyways

I got back to Pizza Plaza that night

Hoping to see Tammy again

She didn`t show up

I spent the following three months

Hanging out at  Pizza Plaza

Every weekends

Just to see Tammy again

Never happened though

I stopped going to Pizza Plaza

I never went back there

It just didn`t feel right

End of part two.

Gainmas – ciodiatsr (CD-R)

Gainmas is an experimental noise \ drone \ ambient \ etc project hailing from central Florida, USA. This is a solo project of Dylan Houser (the same guy recording noise under the name Hell Garbage). There`s five untitled tracks on this long (79 minutes)  album. This time around there`s no drones, no ambient stuff just pure noise fuckery. This is an intense recording. The noisescapes are grating, abrasive, unforgiving and relentless. An hardcore sonic assault of the senses. The sound of a raging tornado, a maelstrom of dark frequencies, feddback and distortion pounding my heart and soul non stop. Let me out of here!!!! Recommended to fans of extreme noise ie. Merzbow, Masonna, MSBR and … Flesh For Frank, yes sir. 

more information here:

http://sluggisha.blogspot.com

and email:

ladyanthropophagus@gmail.com

Hell Garbage interview

I discovered Hell Garbage earlier this year. I was really curious because HG doesn' t sound like your regular run of the mill harsh noise project. There's also the fact that he comes from Florida. I don' t know if it's the beach, the sea, the sun, the warm weather but there's a bunch of highly talented  noisers originating from Florida (Meatball Machine, Mayan Apocalypse, Securititron 451, etc, etc). He was nice enough to reply. Enjoy the interview. Here goes:

  
1- How are you and who are you?

Not bad for not getting much sleep last night and being awfully busy at work, haha. Anyways, my name is Dylan Houser, though I sometimes have called myself "Dylan Hell" or "Dyllo Von Hellshit VI" or "Dolan Hoser" or some other variation of my first name on multiple releases.

2-  Why noise? Do you have a specific reason to do noise?

I got into noise completely on accident. It all started in early 2004, back when I had no idea how to play any instruments, and also due to extreme boredom. I would often record a bunch of noise and/or dumb shit on either a cheap tape recorder, or on the Sound Recorder program on my parents' computer...sometimes a combination of both. Back then, I had absolutely no idea that there was a legit "noise scene" or other people into this sort of thing. Eventually, my playing skills had slowly improved over the next year or so, and I would then obtain a four-track recorder and dick with that whenever I wasn't busy playing in actual bands or trying to get actual bands going! I got back into noise full-time around 2010.                                                                                 
                                          Why noise? Well, for Hell Garbage, it's much easier to do than have to come up with new material for a more serious, musical-based project. It's not meant to be "good," I'm not trying to "reinvent the wheel," I'm not trying to create this generation's answer to Pet Sounds or the White Album or whatever. It's fun, and I don't want this to become a chore and stress myself out too much about what I'm doing creatively. I'm more surprised there are as many people out there who have enjoyed my noise, haha.

3-  Where does the name Hell Garbage comes from? Do you define HG as a solo project, a band, a duo (I heard your girlfriend is a semi-regular contributor), a collective?
                           The name Hell Garbage dates back to early 2010, when a friend of mine showed me a picture of herself from a few years before that,  where's she's pregnant and lying naked on a bed, and had written a bunch of random stuff all over her body with a sharpie. It was kind of hard to read some of it, and she at first thought one of the things written on herself said "HELL GARBAGE"...but what it actually read was "HELLO GOODBYE." I had thought about using the name "Hell Garbage" for a potential song title (for my other, more musical-yet-still-very-experimental project since 2004, Bloodponies), but that never happened. Instead I ended up using that name for what started out as a noisecore project in August of 2011. So you see, Hell Garbage is actually a poorly-translated Beatles reference!
                            Hell Garbage is, for the most part, a solo project, although I'm open to others joining me during recording sessions and/or shows.  My girlfriend used to appear on recordings during the first six months or so, but that was mainly because she happened to be around when I was recording. From what I remember, she played bass on the split tape with Mallveilance, and she played bass on the track "Nihnihnih Piggies" off of the three-way split mini-CDR with Individual Distortion and Fatal Position. She has only appeared on stage with me once so far: the third Hell Garbage live performance, at Sacred Grounds in Tampa, FL on 1/6/2013, as part of this Syd Barrett tribute show for his birthday. She hopped up on stage while I was setting up, where she mostly played this toy accordion that was laying around while I made a bunch of noise and sang a few Syd Barrett-penned tunes while shaking a toy maraca into another microphone that was already set up. Sadly, there is no footage of this performance (that I know of, anyways) as the camera that was set up was having technical difficulties.  

4-  I heard that you record during your breaks at work in your car. How do you manage to do that?

I just go into my car, have the windows rolled up, and have the air conditioner and/or radio on. I then press the record button on either a tape recorder or my cell phone, and go at it. How I manage to get away with it, I have no idea. Sometimes people walk by while I'm recording, but they don't seem to notice. I'm probably just not loud enough for people outside of my car to hear me.

5-  What kind of gear/equipment are you using? 
It always varies from session to session. A lot of times I'll use my 8-track portastudio, which has built-in effects and a programmable drum machine. Often times, I'll crank just about everything up to 11, and plug the portastudio into the microphone jack of either my laptop or a tape recorder. With that set-up, I always use a microphone, although when Hell Garbage first started (such as on the first two demos, DISHNIVACHT and JUOPPONAUT), I used a bass guitar. Other times I'll use my shitty de-tuned guitar. Sometimes I'll use the drum machine, other times I won't. For the "lunch break sessions," I'll either be in my car, or in the break room when nobody else is in there, and record on my phone, using whatever I can to make cheap noise, even if it's just an empty plastic bottle against the steering wheel or the table, or even just tapping my fingers on the table! There's even some recordings done while I was on the job, most notably the split tape with MORTE LENTA. That was recorded on Christmas Day of 2012, and there was only one other person besides myself there, who makes an appearance on another recording done the same day (he yells "YEAH!!!!!!!!" at the end of that one! This one should be on a multi-way split recording with some of Frank Goshit and Dan-Charge's projects). Anyways, this recording, from the HxGx/Morte Lenta split tape, was done in this back room where I grunt over this air-blower for four minutes. Making noise while getting paid by the hour rules!

                                   So yeah, anything goes, equipment-wise.  At my most recent show, I plugged in a microphone into a micro-amp into a slightly bigger practice amp and cranked up the feedback! To quote the Minutemen: "WE JAM ECONO!"

6-  What inspires you?
Anything, really. Sometimes it's a weird news story (like the LADONNA LAND! EP, which is on the Hell Garbage Bandcamp page only), or some weird video that one of my friends posted on Facebook (such as the I HATE MY BUTTHOLE EP, also Bandcamp-only). Also some inside jokes, various people I've known, whatever's going on at the moment...sometimes I'm even UN-inspired, but I end up recording anyways (such as the HUMAN HEADACHE/HELL GARBAGE split tape, which only had like 5 copies made, at most; also, the HELL GARBAGE side of the split internet release with SKINDUST. I'll be the first to tell you that the Skindust side is a billion times better than the Hell Garbage side!). A lot of times, it's from people who want to do a split with me, and I don't have any as-of-yet-unused material of the appropriate time length to already give them, haha.

7-  What are your influences? 
 As far as noise goes, early on (years before Hell Garbage started), I was heavily influenced by shit like Throbbing Gristle, Whitehouse, Flipper, Happy Flowers, various drone/doom bands (the usual Sunn 0)))/Earth/Boris stuff), the Butthole Surfers, the Gerogerigegege, Nurse With Wound, the Boredoms' earlier albums, Skullflower (mainly their 80s/90s albums, before it became a Matthew Bower solo project), and of course: the Melvins, especially their noisier escapades (such as the first three minutes of "Magic Pig Detective" off of their STONER WITCH LP, the infamous PRICK album, and the even-more infamous live album COLOSSUS OF DESTINY, to name just a few), as well as the various  Mike Patton projects, including the album ADULT THEMES FOR VOICE. Also, the Residents, Captain Beefheart, Frank Zappa, and Black Flag. I can't forget any of those guys.
                           As for what ended up influencing Hell Garbage: noisecore bands such as Deche-Charge (of course), 7 Minutes of Nausea, Anal Cunt, Morality Declined, to name a few. I've also been heavily influenced by the Earwigs, and (as I said earlier), the Gerogerigegege, as well as Frank Goshit and Dan-Charge's various shit-noise projects, whether it was released under their now inactive Gocharges Records label back in the 90s, or more recently. Also, some of my contemporaries, such as my friend Ed's various projects (which you can find on his blog site http://sluggisha.blogspot.com/), the stuff recorded and released by my friend Kendall and his label Yip! Records (http://archive.org/details/yip-records), Fuck Ramone and his various projects (http://electrichedonist.blogspot.com/), John Marion/Kaagootaabaa, Jason Campbell and his recent netlabel Soundpig (http://www.soundpig.blogspot.ca/), Noel Thomas' various noise projects, Ice Cream Sandwich Shit Head, Gefilte Fist (I guess right there), the various projects and releases on Sludgesicle records and Forever Escaping Boredom, various people that I've played shows or hung out with in the St. Pete and Orlando scenes...just to name a few.

8-  Besides Hell garbage do you have any other noise and/or musical projects?I have two other main solo projects: Bloodponies, and Gainmas.

                         Bloodponies, I have been doing since early 2004, although it did not have that name until Spring of 2008. It started off as somewhat of a noise project, but had evolved into something more musical, yet experimental. A lot of recordings under this name consist of just vocals and acoustic guitar. It's mostly been a solo venture, with other people only appearing on recordings just a few times. It's weird for me to describe this project otherwise, haha. Most of this project's material can be found on the Bandcamp page: http://bloodponies.bandcamp.com/  (By the way: I still have the old noise recordings from 2004, and they will be posted by Yip! Records once I get the files sent to them!)
                          Gainmas. This one started off as a stoner/doom/sludge metal band back in 2006, but after the actual band itself had dissolved, I continued using the name as a solo project, where it had evolved into noise and ambient recordings. I guess you could say this is a more "serious" or even "artsy" noise project, especially compared to Hell Garbage! The Bandcamp page: http://gainmas.bandcamp.com/  There's also this recent album that I had uploaded onto Archives.org:
http://archive.org/details/gainmas-solluvia
                         I've also done a bunch of solo shitnoise recordings, mainly for splits with Frank, Dan, Ed, Noel, and whoever else wants to do splits of that nature. They're pretty much Hell Garbage under a different name, haha. I've also recently started a harsh noise wall project called Shilth.
                           Recently, I've done some collaborations with other people, including ShaMaMo (me and my girlfriend and Ed's project), Floor-A-Duh (Me, Mike Sludgesicle, and V from Bucket of Piss) and Porns (I've only contributed to the second album, HORNS & PORNS II so far, but we plan to do more in the near future...!). It'd be fun doing more collaborations with other people...hell, I wouldn't mind doing an actual serious BAND again one day! 

9-  Do you perform live?

Yeth.

10- How`s the noise scene in Florida?
                    Pretty good, actually! I didn't even realize there was any such thing in Florida until October 2011, two months after Hell Garbage had already started. It's especially active in St. Petersburg, where they've been having the annual SAINT PETE NOISE FEST since 2007 (which was months right after I had left Florida for a few years...D'OH!!!). There's always noise and experimental shows going on over there every other week or so, mainly at the Venture Compound, run Jesse Thelonius Vance, and also where Hell Garbage performed it's first actual booked show (as part of the first night of SAINT PETE NOISE FEST 5). There's also noise shows in Orlando, mainly at Uncle Lou's (a really small dive bar right down the road from Will's Pub), where I've been performing at quite frequently. These shows are booked by either Dan Reaves and/or Bradly Woodham. It's always a great fucking time performing. at these places, and I can't wait to check out some others.
                          I've also heard that there's a pretty good noise scene in Jacksonville, as well as Miami (where they have the legendary INTERNATIONAL NOISE CONFERENCE, every year since 2003), but I haven't been to either of those cities in a long time. Some day...!

11-  I heard that Hell Garbage is a shitnoise oriented project. What`s the difference between shitnoise and noise (is there a difference)?

Shitnoise is just that: really shitty noise. The way I do it: I record on either a portable tape recorder or my cell phone, rarely using any effects from my portastudio or any pedals. Just straight up "acoustic shit" as I call it, haha. The aforementioned "recordings done in my car during my break at work" are a great example of shitnoise. It could consist of someone just lightly tapping a pencil on a flat surface, to sniffling (such as my "nosecore" project, Nasal Death!), to someone watching television (Dan-Charge's project BAD TASTE),  Pioneers of the shitnoise genre are Frank Goshit and Dan-Charge (both of Deche-Charge + a bunch of their own projects), as well as Erik Disorder (Sonic Disorder + a bunch of different projects), Mike Jerk (Naked Insects, Glog, Herk, Green Banana), Bizarre Charlie Alien (The Earwigs, the Gynger Effect, + a bunch of other projects), Sean Lambert (Morbid Vomit), Steveggs (Pile of Eggs), among others. Frank and I have a bunch of exclusive videos up on YouTube. Also, there's this guy on YouTube who posts shitnoise under the name of HNW00000. I tried contacting him a while ago about possibly doing a split release or split video or something some time, but I haven't heard back from him. Great shitnoise, though!

12-  What type of music are you into? What about movies, television, radio maybe?

                I listen to all kinds of music. This includes the bands that I had listed earlier (under influences). Other bands/musicians that I'm quite fond of that I haven't listed yet: Roky Erickson, the 13th Floor Elevators, Ween, The Frogs, Jefferson Airplane, Loop, Hawkwind, Monster Magnet, the Vaselines, Suicide, Circle of Ouroborus, Burzum (especially HVIS LYSET TAR OSS and FILOSOFEM), Tim Buckley (the LORCA and STARSAILOR albums), Death in June, Swans, Current 93, Slint, Scratch Acid, the Birthday Party, Sonic Youth, Joy Division, the Cure (especially their earlier albums), Kyuss...there's too many for me to list, haha. I also enjoy listening to the Tampa Bay station WMNF 88.5 FM, which plays all sorts of music. I'm good friends with Elder Sign, the host of the metal program Psycho Realms, which is every Sunday night at 1am (so technically it's Monday morning! Haha.), so sometimes I'll visit him and talk on the air for a bit. The closest thing to a "noise" program is Step Outside, which is every Wednesday night, and they play more experimental type stuff. Not quite noise, but it's close enough, haha.
                         I haven't really been watching that much television or movies lately. I do have some catching up to do on these movies (which you can't find on Netflix) my friend burned on some DVDRs for me, though, and I  need to get around to plopping my ass on the living room couch and watching them, haha. I'm into cheesy horror movies (Italian or otherwise), weird black and white films (Eraserhead, Begotten, Tetsuo: The Iron Man), and films such as the Japanese cult horror movie Hausu, and the Czechoslovakian movie Daisies. Also, various films by John Carpenter, Harmony Korine, and David Lynch. As well as films like Jacob's Ladder, American Psycho, One Flew Over the Cuckoo's Nest, Full Metal Jacket, and the Rocky movies.
                          When I do watch TV, it's really only just the Weather Channel and Cartoon Network/Boomerang, and if they're on, maybe old Nickelodeon shows, haha.

13-  Please give us some contact information?Certainly!
My email address is: ladyanthropophagus@gmail.com
The Hell Garbage Facebook page: https://www.facebook.com/hellgarbage
And my personal Facebook page: https://www.facebook.com/dylanhouser87 

14-  Any closing comments?

Thank you for conducting this interview, and thanks to all of you out there who have supported HxGx! In addition to the stuff on Bandcamp and Archives.org, I'm also currently working on split tapes with Morbid Vomit (I'm dubbing the tapes right now as I type this!), Mayan Apocalypse (another great Floridian noise project, from St. Pete!) and the legendary Sonic Disorder! These tapes should be out some time within the next few months or so. They're all gonna kick ass.
Cheers,
Dylan

PS - I'd be more than happy to do a split with you some time! If you're wanting to do a physical release, then I probably won't be able to release it until after I get done with the aforementioned split tapes, so let me know if you or someone you know would be down for releasing it. I'm fine with it being an online split as well.